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THE QUEENS OF NOISE FROM THOSE SHAKIN' STREETS

The Runaways pose for the camera in their sexy fashion

The Runaways: The Runaways
Don't let the teevee tube or the records being released fool you! Teenage America's spirit is not sagging (empty helium balloons surrounded by Paul McCartney records). CB radios, disco, the Fonz, the cast of Welcome Back, Kotter: THAT'S SHELLAC, JACK!!

Punk nouveau is hot as blazes, reading fast, groping even into, and very, very soon (maybe tomorrow) punk rock is going to start hips shaking on every street corner, wiping out the boredom set deep in every teenager's eyes (put to snooze by Elton John and assorted wimps). That's the Punk Rock Revival II, meaning no more clean-cut pop and lotsa dirty, badass rock 'n' roll. Kim Fowley knows it's coming. Patti Smith and the Ramones are perpetrating it. And damn, the Runaways have grasped IT!

Calling themselves "Queens of Noise" in their anthem ‘American Nights’ (as teenage a call-to-arms as you'll ever hear), the Runaways have earned the right to scream "I'm sixteen and proud," play sloppy, and strut like they were the Rolling Stones. The Runaways don't try to hide the fact that their band was obviously spawned in a garage, educated on the shakin' streets, and measured in terms of its own sexuality.





TEN EARLY PIVOTAL MOMENTS IN PUNK ROCK HISTORY (IN NO PARTICULAR ORDER)

 1.       Youngstown, Ohio, 1961.Twelve year old Steven Bators (Stiv Bators), in attempt to goose up his visiting cousins, tosses a jump rope over a backyard tree branch, and ties a noose around his neck, delivering a self-hanging showtime for a few huge snot-producing moments.